<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://www.zeleza.com" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>Popular Culture</title>
 <link>http://www.zeleza.com/blogging/popularculture</link>
 <description>The taxonomy view with a depth of 5.</description>
 <language>en</language>
<item>
 <title>Bob Marley and Emancipation from Mental Slavery By Horace Campbell</title>
 <link>http://www.zeleza.com/blogging/african-affairs/bob-marley-and-emancipation-mental-slavery-horace-campbell</link>
 <description>&lt;p align=&quot;justify&quot;&gt;On May 11, 2011 it was thirty years since Bob Marley joined the ancestors. Bob Marley was a cultural artist who became internationally known as a defender of love, freedom and emancipation. This week we remember him, his songs and his contributions to both revolutionary consciousness and his call for us to emancipate ourselves from mental slavery.&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;strong&gt;BOB MARLEY FROM THE JAMAICAN COUNTRYSIDE&lt;/strong&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;#160; &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/african-affairs/bob-marley-and-emancipation-mental-slavery-horace-campbell&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
 <comments>http://www.zeleza.com/blogging/african-affairs/bob-marley-and-emancipation-mental-slavery-horace-campbell#comments</comments>
 <category domain="http://www.zeleza.com/blogging/africanaffairs">African Affairs</category>
 <category domain="http://www.zeleza.com/blogging/carribean-and-south-american-affairs">Carribean and South American Affairs</category>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Fri, 13 May 2011 09:44:45 -0700</pubDate>
 <dc:creator>Guest Blogger</dc:creator>
 <guid isPermaLink="false">28148 at http://www.zeleza.com</guid>
</item>
<item>
 <title>The Curator as Culture Broker: A Critique of the Curatorial Regime of Okwui Enwezor By S. Okwunodu Ogbechie</title>
 <link>http://www.zeleza.com/blogging/popular-culture/curator-culture-broker-critique-curatorial-regime-okwui-enwezor</link>
 <description>&lt;p align=&quot;justify&quot;&gt;What is the meaning of Enwezor&amp;#39;s curatorial work and how does it affect the kind of knowledge emerging in the discourse of contemporary African art? &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/popular-culture/curator-culture-broker-critique-curatorial-regime-okwui-enwezor&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;</description>
 <comments>http://www.zeleza.com/blogging/popular-culture/curator-culture-broker-critique-curatorial-regime-okwui-enwezor#comments</comments>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Wed, 16 Jun 2010 19:19:26 -0700</pubDate>
 <dc:creator>Guest Blogger</dc:creator>
 <guid isPermaLink="false">12922 at http://www.zeleza.com</guid>
</item>
<item>
 <title>Motherhood and the Motherland</title>
 <link>http://www.zeleza.com/blogging/u-s-affairs/motherhood-and-motherland</link>
 <description>&lt;p align=&quot;justify&quot;&gt;This year, the roles that won Sandra Bullock and Mo&amp;#39;Nique the Oscars for best actress and best supporting actress respectively shared one thing in common: both were mothers to black children whose size was a significant aspect of the children&amp;#39;s characters. The things that differentiated the two roles, however, are disturbing.&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;#160; &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/u-s-affairs/motherhood-and-motherland&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
 <comments>http://www.zeleza.com/blogging/u-s-affairs/motherhood-and-motherland#comments</comments>
 <category domain="http://www.zeleza.com/blogging/usaffairs">U.S. Affairs</category>
 <category domain="http://www.zeleza.com/blogging/africanaffairs">African Affairs</category>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Sun, 21 Mar 2010 15:53:02 -0700</pubDate>
 <dc:creator>Wandia Njoya</dc:creator>
 <guid isPermaLink="false">5343 at http://www.zeleza.com</guid>
</item>
<item>
 <title>2016 Olympics: The Obamas Need New Speechwriters</title>
 <link>http://www.zeleza.com/blogging/global-affairs/2016-olympics-obamas-need-new-speechwriters</link>
 <description>&lt;p align=&quot;justify&quot;&gt; I might be the only African who is getting a little tired of the Obama phenomenon. And I might be the only one who was relieved that Chicago didn&amp;#39;t win the bid for the 2016 Olympics. And I might be the only one who was pleasantly surprised that Chicago lost in the first round.&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;#160; &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/global-affairs/2016-olympics-obamas-need-new-speechwriters&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
 <comments>http://www.zeleza.com/blogging/global-affairs/2016-olympics-obamas-need-new-speechwriters#comments</comments>
 <category domain="http://www.zeleza.com/blogging/globalaffairs">Global Affairs</category>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Fri, 02 Oct 2009 22:00:56 -0700</pubDate>
 <dc:creator>Wandia Njoya</dc:creator>
 <guid isPermaLink="false">943 at http://www.zeleza.com</guid>
</item>
<item>
 <title>The God of this Age</title>
 <link>http://www.zeleza.com/blogging/african-affairs/god-age</link>
 <description>&lt;p align=&quot;justify&quot;&gt;It is intriguing to read African scholars based in the West blasting their compatriots on the home continent for abandoning African culture and aping the Western one. It is also saddening to hear them blame victims of oppression for bending to cultural and economic domination, instead of blaming the immoral oppressor for making exploitation complete by numbing the minds of the oppressed. &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/african-affairs/god-age&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;</description>
 <comments>http://www.zeleza.com/blogging/african-affairs/god-age#comments</comments>
 <category domain="http://www.zeleza.com/blogging/africanaffairs">African Affairs</category>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Tue, 15 Sep 2009 14:05:21 -0700</pubDate>
 <dc:creator>Wandia Njoya</dc:creator>
 <guid isPermaLink="false">923 at http://www.zeleza.com</guid>
</item>
<item>
 <title>Decapitating Colonialism: Yinka Shonibare in New York</title>
 <link>http://www.zeleza.com/blogging/popular-culture/decapitating-colonialism-yinka-shonibare-new-york</link>
 <description>&lt;p align=&quot;justify&quot;&gt;The renowned and flamboyant Nigerian-British artist, Yinka Shonibare, is currently (June 26 - September 20) exhibiting his work at the New York Museum of African Art. His exuberant works of sculpture, paintings, and photographs offer a biting and sardonic critique of colonialism, identities, and Africa. The following commentaries talk about the man and his art. PT Zeleza, Editor, &lt;em&gt;The Zeleza Post&lt;/em&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;strong&gt;Headless Bodies From a Bottomless Imagination By Deborah Sontag&lt;/strong&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;#160; &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/popular-culture/decapitating-colonialism-yinka-shonibare-new-york&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
 <comments>http://www.zeleza.com/blogging/popular-culture/decapitating-colonialism-yinka-shonibare-new-york#comments</comments>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Fri, 17 Jul 2009 12:00:48 -0700</pubDate>
 <dc:creator />
 <guid isPermaLink="false">814 at http://www.zeleza.com</guid>
</item>
<item>
 <title>Are Major African Art Exhibitions Only For The Western World? By Kwame Opoku</title>
 <link>http://www.zeleza.com/blogging/african-affairs/are-major-african-art-exhibitions-only-western-world-kwame-opoku</link>
 <description>&lt;p align=&quot;justify&quot;&gt;A major exhibition on Ife art, Dynasty and Divinity: Ife Art in Ancient Nigeria, opened on June 16, 2009 at the Fundacion Marcelino Botin, Santander, Spain and will move from there to the Museum for Africa Art, New York, United States and later to the British Museum, London, United Kingdom. &lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;#160;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;The exhibition however will not be shown in Nigeria or in any other African country.&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&amp;#160; &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/african-affairs/are-major-african-art-exhibitions-only-western-world-kwame-opoku&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
 <comments>http://www.zeleza.com/blogging/african-affairs/are-major-african-art-exhibitions-only-western-world-kwame-opoku#comments</comments>
 <category domain="http://www.zeleza.com/blogging/africanaffairs">African Affairs</category>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Sat, 11 Jul 2009 11:41:44 -0700</pubDate>
 <dc:creator />
 <guid isPermaLink="false">809 at http://www.zeleza.com</guid>
</item>
<item>
 <title>The Mammy and the Panopticon: African American Women in the Self-Help Movement</title>
 <link>http://www.zeleza.com/blogging/popular-culture/mammy-and-panopticon-african-american-women-self-help-movement</link>
 <description>&lt;div align=&quot;justify&quot;&gt;A number of thought provoking studies on race and performance in American culture have demonstrated that class identities in America have been constructed through the symbolic use of  African American bodies.  The bulk of these studies have looked at minstrelsy in 19&lt;sup&gt;th&lt;/sup&gt; century America.  David Roediger (1991) has shown that minstrelsy, a popular form of Vaudeville-type entertainment wherein White performers (usually male) blackened their faces with burnt cork in order to impersonate African Americans, played a key role in White working class formation before t &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/popular-culture/mammy-and-panopticon-african-american-women-self-help-movement&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;</description>
 <comments>http://www.zeleza.com/blogging/popular-culture/mammy-and-panopticon-african-american-women-self-help-movement#comments</comments>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Thu, 08 May 2008 14:01:27 -0700</pubDate>
 <dc:creator>Zine Magubane</dc:creator>
 <guid isPermaLink="false">547 at http://www.zeleza.com</guid>
</item>
<item>
 <title>The Sounds of Music: Africans in the Arabian Gulf</title>
 <link>http://www.zeleza.com/blogging/african-affairs/sounds-music-africans-arabian-gulf</link>
 <description>&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;color: #333333; font-family: &#039;Book Antiqua&#039;,&#039;serif&#039;&quot;&gt;&lt;font face=&quot;book antiqua,palatino&quot;&gt;When most people think of the African diaspora, they think of the Americas. But African diasporas exist in all parts of the world from Europe to Asia, where in some cases they antedate the formation of the Atlantic diasporas. There is a particularly large African diaspora in the Arabian Gulf where the descendants of Africans have influenced all aspects of the cultures of these societies including music. &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/african-affairs/sounds-music-africans-arabian-gulf&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;</description>
 <comments>http://www.zeleza.com/blogging/african-affairs/sounds-music-africans-arabian-gulf#comments</comments>
 <category domain="http://www.zeleza.com/blogging/africanaffairs">African Affairs</category>
 <category domain="http://www.zeleza.com/blogging/globalaffairs">Global Affairs</category>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Sat, 05 Jan 2008 10:13:04 -0800</pubDate>
 <dc:creator>Guest Blogger</dc:creator>
 <guid isPermaLink="false">383 at http://www.zeleza.com</guid>
</item>
<item>
 <title>Signifyin’ Bantus and a ‘Flawless’ Assault that had no Accent</title>
 <link>http://www.zeleza.com/blogging/popular-culture/signifyin-bantus-and-flawless-assault-had-no-accent</link>
 <description>&lt;p style=&quot;margin: 0in 0in 0pt&quot; class=&quot;MsoNormal&quot; align=&quot;justify&quot;&gt;&lt;font face=&quot;book antiqua,palatino&quot;&gt;Paul Tiyambe Zeleza was in town the other day for a meeting in Montréal. Prior to his arrival, he had done things the African way by sending an email to notify me that he was coming to my neck of the wood in Canada. Could he tempt me to embark on the two-hour drive from my base in Ottawa for a long overdue reunion in Quebec’s leading city? &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/popular-culture/signifyin-bantus-and-flawless-assault-had-no-accent&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;</description>
 <comments>http://www.zeleza.com/blogging/popular-culture/signifyin-bantus-and-flawless-assault-had-no-accent#comments</comments>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Fri, 04 Jan 2008 17:01:37 -0800</pubDate>
 <dc:creator>Pius Adesanmi</dc:creator>
 <guid isPermaLink="false">380 at http://www.zeleza.com</guid>
</item>
<item>
 <title>Rendition: The Disinformation Campaign--A Film Review</title>
 <link>http://www.zeleza.com/blogging/popular-culture/rendition-disinformation-campaign-film-review</link>
 <description>&lt;p style=&quot;margin: 0in 0in 10pt; line-height: normal; text-align: justify&quot; class=&quot;MsoNormal&quot; align=&quot;justify&quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: &#039;Book Antiqua&#039;,&#039;serif&#039;&quot;&gt;&lt;a href=&quot;http://www.renditionmovie.com/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: blue&quot;&gt;&lt;u&gt;&lt;font face=&quot;book antiqua,palatino&quot; size=&quot;2&quot;&gt;Rendition&lt;/font&gt;&lt;/u&gt;&lt;/span&gt;&lt;/a&gt;&lt;font face=&quot;book antiqua,palatino&quot;&gt;&lt;font size=&quot;2&quot;&gt;, the gripping new movie by award-winning South African director Gavin Hood, is suffering the fate of many good political films -- damned by faint praise, writes &lt;strong&gt;Marc Norton&lt;/strong&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/ &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/popular-culture/rendition-disinformation-campaign-film-review&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;</description>
 <comments>http://www.zeleza.com/blogging/popular-culture/rendition-disinformation-campaign-film-review#comments</comments>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Sat, 03 Nov 2007 06:02:32 -0700</pubDate>
 <dc:creator>Guest Blogger</dc:creator>
 <guid isPermaLink="false">297 at http://www.zeleza.com</guid>
</item>
<item>
 <title>Africa and the New Cult of Celebrity</title>
 <link>http://www.zeleza.com/blogging/popular-culture/africa-and-new-cult-celebrity</link>
 <description>&lt;p style=&quot;margin-bottom: 0pt; line-height: normal; text-align: justify&quot; class=&quot;MsoNormal&quot; align=&quot;justify&quot;&gt;&lt;font face=&quot;book antiqua,palatino&quot; size=&quot;2&quot;&gt;&lt;span style=&quot;font-size: 10pt; font-family: &#039;Book Antiqua&#039;&quot;&gt;When Africa appears in the venerated pages of the &lt;em&gt;New York Times&lt;/em&gt;, it is generally in the “world news” or op-ed pages. It is noteworthy, therefore, that a lead article about Africa recently appeared in the Sunday &lt;em&gt;New York Times&lt;/em&gt; “Style Section,”—a section that is usually devoted to debating the merits of Birkin bags and Jimmy Choo shoes. &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/popular-culture/africa-and-new-cult-celebrity&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;</description>
 <comments>http://www.zeleza.com/blogging/popular-culture/africa-and-new-cult-celebrity#comments</comments>
 <category domain="http://www.zeleza.com/blogging/africanaffairs">African Affairs</category>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Fri, 20 Apr 2007 09:33:31 -0700</pubDate>
 <dc:creator>Zine Magubane</dc:creator>
 <guid isPermaLink="false">95 at http://www.zeleza.com</guid>
</item>
<item>
 <title>Branding Africa</title>
 <link>http://www.zeleza.com/blogging/u-s-affairs/branding-africa</link>
 <description>    &lt;p style=&quot;text-align: justify&quot; class=&quot;MsoNormal&quot; align=&quot;justify&quot;&gt;By: Carina Ray  &lt;span class=&#039;read-more&#039;&gt;&lt;a href=&quot;http://www.zeleza.com/blogging/u-s-affairs/branding-africa&quot;&gt;&amp;nbsp;read&amp;nbsp;more&amp;nbsp;&amp;raquo;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</description>
 <comments>http://www.zeleza.com/blogging/u-s-affairs/branding-africa#comments</comments>
 <category domain="http://www.zeleza.com/blogging/popularculture">Popular Culture</category>
 <pubDate>Fri, 20 Apr 2007 09:25:20 -0700</pubDate>
 <dc:creator>Guest Blogger</dc:creator>
 <guid isPermaLink="false">94 at http://www.zeleza.com</guid>
</item>
</channel>
</rss>

